Arts & Culture
More than 50 years later, California still lists lethal gas as a legal execution means. So do five other states: Arizona, Mississippi, Missouri, Oklahoma, and Wyoming, although Mississippi and Oklahoma, which use nitrogen hypoxia, don’t use that term. (More on that below). I learned this as I searched on my phone standing in front of John Singer Sargent’s monumental 1919 painting “Gassed,” which is on display in the New-York Historical Society’s exhibition “World War I Beyond the Trenches” (through Sept. 3).
The newly released movie Detroit inflames past wounds of race, poor economic conditions, and police brutality in a city still gripped with these issues. I won’t give spoilers to the movie but I will share how Congresswoman Maxine Waters’ recent trending statement ‘reclaiming my time’ provides wisdom for a divided community to heal and waste no time re-living the past.
We’re made in the image
The Message expresses,
The Good News attests
That we’re formed out of sod,
That we’re made every one
1. When To Trust A Story That Uses Unnamed Sources
When are unnamed sources valuable, and when do they undermine credibility? FiveThirtyEight presents a five-step graphic to how to weigh your daily news.
2. Why Is the U.S. Handcuffing Incarcerated Women In Childbirth?
Just five percent of women in the world live in the U.S., but the U.S. accounts for nearly 30 percent of the world's incarcerated women.
Gay is a true prophetic voice. She laments her life, her trauma, and her weight. She doesn’t promise victory but speaks to the pain that so many people feel: victims and survivors of sexual violence, bisexual people, fat people, and lonely people.
But really, the best performance in the film belongs to Nanjiani —no surprise, since it’s partly his own story. The affection he feels for his parents makes him afraid to upset them, but to really come into his own as a person, and as a comedian, he has to be honest with them about what he wants for his life.
In a letter published in Teen Vogue Wednesday, 114 survivors of sexual assault ask Secretary of Education Betsy DeVos not to dismantle Title IX guidance they say “enabled many of us to complete our education.” The letter comes the day after it was announced that DeVos would this week meet with survivors’ rights groups — alongside men’s rights groups — to advise the department on the government’s role in ensuring Title IX enforcement.
Liberty and freedom aren’t fancy words or individual guarantees. They’re a process that requires everyone’s participation. We can’t have liberty and justice for all until we’re willing to see the injustice and the lack of liberty all around us, and commit ourselves to doing something about it.
Olcese: In the creation of the film, did you find yourself sympathizing with one character or the other? Was one character easier to make more sympathetic?
Hamm: No. I couldn’t. I absolutely wanted to make the film balanced and fair to both sides. That was completely essential. Don’t forget, both these figures were not liked in Europe before they became statesmen. They were both radical. McGuinness was an ex-member of the IRA, Paisley was a firebrand preacher on the right. These were two men who were pretty much despised universally outside of their own base. It’s like The Odd Couple in the back of a car. I think what the humanity of that is when you take all that away, when you remove from the politician the artifice, and you get a chance to look at them as people, and I think that’s what happens in the movie.
Unfortunately, the script, by writer Colin Bateman often tends toward the bland, with the exception of a couple of pivotal scenes. Both Paisley and McGuinness were big, powerful personalities, with many facets to explore. The script, however, takes what could be a truly interesting exploration of two dynamic characters, and often reduces them to a pair of old men arguing in the back of a car. There are some standout moments where beliefs are challenged and moments of real emotional honesty are reached, but it takes some waiting to get there.
The new film Baby Driver is a movie that expresses joy through art, specifically music. The action film from director Edgar Wright connects the joy of listening to a favorite song to the way those musical rhythms color our everyday lives. At its best, the film is a celebration of joy in creativity that bleeds over into a joy in creation itself. It struggles, however, to turn that aesthetic delight into something of substance.
There are so many loud and shrill voices in various religions today, ones filled with fear and self-righteousness and arrogance and judgement and hatred — the very things that faith tells us to avoid. Those voices try to divide us and diminish us. They twist religion into the opposite of what it’s meant to be, hoping to advance their personal agendas.
Video footage of the fatal shooting of a black motorist by a Minnesota police officer released on Tuesday showed how quickly the incident unfolded but shed no light on whether the victim had reached for the gun he told the officer he was carrying.
In a nation founded on violence, how are we to respond when young indigenous people are beaten to death by police or young black men are shot in the front seat of their cars? What do we do when young Muslim women are assaulted on the way to say prayers with their community? In an attempt to protect ourselves from violence, we actually bring violence to our schools and neighborhoods, because we live a gospel of violence perpetuated over time by our attitudes of hate and racism toward one another.
After five days of deliberation, a jury has found the police officer who fatally shot Philando Castile not guilty on all charges.
I believe that although we enjoy fairytales about love overcoming great obstacles, it’s often different off-screen. We are more interested in creating obstacles to love. In our world, Cinderella doesn’t get to dance with the prince and beauty isn’t allowed to love the beast.
Film critic Alissa Wilkinson writes that “Christian theology is rich and ... full of imagination that's broad enough to take up residence among all kinds of human cultures. It contains within itself the idea that art exists as a good unto itself, not just a utilitarian vehicle for messages.” The Wedding Plan is a prime example of this kind of religious art. It’s a message movie, a window into a culture that makes the specific and personal universally relatable, and still manages to tell a good story.
The long history between the church and LGBTQ people is one fraught with tension, pain, and, sometimes, violence. Those who believe that homosexuality is a sin often point to several well-known Scripture passages from the Old and New Testaments. Most of the Christian debate about human sexuality has centered on interpretation and emphasis of these passages.
In his book God and the Gay Christian , Christian LGBTQ activist Matthew Vines challenges LGBTQ-condemning interpretations of these Scriptures — sometimes referred to as “clobber passages.” But these clobber-texts aren’t the only Scriptures that can guide faithful Christians as we seek a godly understanding of sexual and gender identity.
For many Asian immigrants and refugees, coming to the United States wasn’t fully voluntary, but a result of war and poverty. Just as the Hebrews needed to learn to live as exiles, Asian Americans needed to find a way to make a new home in a new land. While their hardships reflect the difficulty of exile, Jimmy’s and Mary’s familial love and corporate responsibility also model for me how we Christians are to follow Jesus in the midst of this empire.
Wonder Woman, directed by Patty Jenkins, now holds the title of biggest box office opening for a female-directed film.