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'Flowers in the Attic' and Women on the Brink

By Juliet Vedral
Flowers in the Attic first edition cover, Simon & Schuster
Flowers in the Attic first edition cover, Simon & Schuster
Jan 15, 2014
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(Spoiler—and imperfect analogy — alert to anyone who wasn’t able to sneak these books when they were pre-teens)

If there was one book series that defined my childhood/pre-adolescence, it would be V.C. Andrews’ Flowers in the Attic series. OK, maybe that wasn’t THE book series—after all, there were the Baby-sitters Club books and Sweet Valley High—but in terms of helping to destroy what little innocence I still had, Flowers in the Attic gets top ranking. I mean, I probably didn’t need to be reading books about incest, child abuse, and religious fanaticism when I was 10 years old. But that’s a story for another time.

The Lifetime network has made a film version of Flowers in the Attic that will debut on Saturday night. In anticipation of the remake, I decided to watch the 1987 version starring Kristy Swanson. Besides being struck by how dated it was — think fuzzy lighting, a lot of beiges and pastels, and 80s bangs — the premise seemed outdated even for that time. A recently widowed stay-at-home mother of four finds herself unable to care for her family and must return to her wealthy, estranged parents and beg to get back into her dying father’s good graces (and will). As a condition of her return, she must consent to have her four children locked in the attic and subjected to her mother’s abuse and neglect.

I sometimes forget how much the world has changed in such a short period of time.

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Flowers in the Attic first edition cover, Simon & Schuster
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